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CHAPTER X.—THE CIRCUS.,

“Land o’ Goshen, child,” shrieked Mrs. Wopp throwing up her hands in dismay, “whatever hev you been doin’ to yerself. You look jist like a wooden Injin. I wouldn’t of knowed you ef I’d met you in the streets of Judear.”,

“Don’t go off Mr. Potter’s land, will you, May Nell? The fenced part, I mean. Eat some lunch soon; Billy may be gone an hour longer. Good-bye. Don’t get too tired. I’ll send Clarence if I can find him.”,

“No, no, dear. Keep them, an’ I’ll put them in warter when we go to the house,” begged Betty. “The fairies are orful cross when they see dead flowers lyin’ round. Mebbe they might be too angry to come in the garding again ever.”

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THE day was fine. Billy, not long released from his green shade, wondered if the world was ever so lovely before; the flowers so sweet, the birds so joyous. Could it be only a few short weeks since that gray Sunday? Billy’s confinement had quickened him, introduced him to himself; now he looked on life with wider eyes, with a more understanding heart.,

Moses came to the kitchen door pushing an untemperamental-looking wheel-barrow with a leg in splints, that is, a leg of the vehicle. The barrow was filled with carrots. He was accompanied by Job and Henry. Behind him trooped a merry laughing group of expectant children.,

Everything was going smoothly when suddenly a catastrophe stopped short the circus, and left Moses greatly distressed. He inwardly complained that never yet was he “havin’ a good time but some orful thing happened to put a cloud over the sun.” The hens and chickens that had been pressed into the ranks of the circus performers were crowding round a swill-bucket which Moses had left tilted at a precarious angle on an upturned soap-box. In its zig-zag gyrations round the yard, the ostrich, to avoid the ubiquitous fowl, ran against the bucket and the odoriferous contents were splashed over the yellow-draped circus lady. The contents of the swill-pail trickled down Betty’s finery and dropped sadly from the pink headgear of the ostrich.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.